At the end of the discussion of essay Dryden and crites discussed about the proper use of rhyme and verse. He also offers cogent arguments in favour of setting. He also gives you an account of himself, and of his returning from the Country in Monologue, his Adelphi or Brothers , Syrus and Demea enter; after the Scene was broken by the departure of Sostrata, Geta and Cathara; and indeed you can scarce look into any of his Comedies, where you will not presently discover the same interruption. He asks him to find relative merit in Greeks and Moderns. XI Whose plays are over loaded with sub-plots? Most of his critical interpretations are found in the prefaces to his own works.
Hence they must perforce use rhyme, which suits the genius of their age. Judgment is indeed the Master-workman in a Play: For Horace himself was cautious to obtrude a new word upon his Readers, and makes custom and common use the best measure of receiving it into our writings. But at the same time it also become complicated so it is difficult to understand. But if no latitude is to be allowed a Poet, you take from him not only his license of quidlibet audendi [daring what he wills—ed. Eugenius then replies to Crites and speaks in favour of the Moderns.
But English play Wright hurried from one passion to another and that way they in represent well any of them.
Hence they must perforce use rhyme, anzlysis suits the genius of our age. After this, the Father enters to the Daughter, and now the Scene is in a House: He shows a well-developed He defines drama as plays.
An Essay of Dramatic Poesy Summary by John Dryden
He finds single action in French dramas to be rather inadequate since it so often has a narrowing and cramping effect. But shall rssay excuse the ill Painture or designment of them; Nay rather ought they not to be labored with so much the more diligence and exactness to help the imagination?
He made following observation on Beaumont and Fletcher. Crites defining ancient by saying that moderns are still depended on ancients like Aristotle and Horace.
It arouses horror and terror. So that before they come upon the Stage you have a longing expectation of them, which prepares you to receive them favorably; and when they are there, even from their first appearance you are so far acquainted with them, that nothing of their humor is lost to you.
This fault of double-action gives rise to another fault till the end. Telling about the characters of French play only one character is in center and others are woven around that main character. Variety of cadences is the best rule, the greatest help to the Actors, and refreshment to the Audience. In most of their plays, the entire action is limited to one place.
Krupali Lewade’s Assignments: Critical Evaluation of dryden’s essay “Dramatic poesy”
The classical drama also lacks affection. At this, he ends up his conversation.
As for example, the conversion of the Usurer in The Scornful Ladyseems to me a little forced; for being an Usurer, which implies a lover of Money to the highest degree of covetousness, and such the Poet has represented him the account he gives for the sudden change is, that he has been duped by the wild young fellow, which in reason might render him more wary another time, and make him punish himself with harder fare and courser clothes to get it up again: Eugenius, Crites, Lisideius, and Neander.
Most of the English plays represents death on the stage. Criticism flourished in England during the restoration of Stuarts.
Essay of Dramatick Poesie – Wikipedia
He was not only a professed Imitator of Horace, but a learned Plagiary of all the others; you track him every where in their Snow: Neander was pursuing this Discourse so eagerly, that Eugenius had called to him twice or thrice ere he took notice that the Barge stood still, and that they were at the foot of Somerset-Stairs, where they had appointed it to land.
Glossary of Key Terms 1. He was a Cambridge Scholar, literary genius and critic, considering his extraordinary literary contribution was credited with the honour of Poet Laureate of England in He defines a play as a just and lively image of human and the change of fortune to which it is subject for the delight and instruction of mankind.
This, Crites is a good observation of yours, but no argument: Criticism, theory, dramatic poesy, Dryden 1. Aristotle indeed divides the integral parts of a Play into four: XXX What does the term violation mean here?
I will not deny but by the variation of painted Scenes, the Fancy which in these cases will contribute to its own deceit may sometimes imagine it several places, with some appearance of probability; yet it still carries the greater likelihood of truth, if those places be supposed so near each other, as in the same Town or City; which may all be comprehended under the larger Denomination of one place: English are guilty of this folly but French are not.
The Essay was probably written during the plague year ofand first published in Priestley 18th January Eugenius was going to continue this Discourse, when Lisideius told him it was necessary, before they proceeded further, to take a standing measure of their Controversy; for how was it possible to be decided who writ the best Plays, before we know what a Play should be?
But I dare not take upon me to commend the Fabric of it, because it is altogether so full of Art, that I must unravel every Scene in it to commend it as I ought.